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Literary Criticism & Theory Notes English Medium

English literature handwritten notes on literary criticism and theory — Plato and Aristotle, Horace and Longinus, Sidney, Dryden, Johnson, Wordsworth and Coleridge, Arnold and Eliot, the New Critics, structuralism, deconstruction, Marxism, psychoanalysis, feminism, postcolonialism and ecocriticism, and the Sanskrit poetics of rasa, dhvani and vakrokti.

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Chapter 1 Pass English Medium English Literature · Literary Criticism & Theory Notes Classical Criticism — Plato to Longinus English literature handwritten notes on classical literary criticism — Plato’s theory of mimesis and his three charges against poetry in Republic Book X, the magnet image from Ion, Aristotle’s Poetics with the full definition of tragedy, the six parts, catharsis, hamartia, peripeteia and anagnorisis and the truth about the three unities, Horace’s Ars Poetica with dulce et utile, decorum, in medias res and the purple patch, and Longinus On the Sublime with its five sources and the shift to the reader’s response, with flashcards and practice questions. Open map Chapter 2 Pass English Medium English Literature · Literary Criticism & Theory Notes Renaissance to Romantic Criticism English literature handwritten notes on English criticism from Sidney to Shelley — the Apologie for Poetrie and its answer to Gosson, Dryden’s Essay of Dramatic Poesy with its four speakers, Pope’s Essay on Criticism, Dr Johnson on Shakespeare and on the Metaphysical poets with discordia concors, Wordsworth’s Preface to Lyrical Ballads, Coleridge’s fancy and imagination and the willing suspension of disbelief, Keats on negative capability and the egotistical sublime, and Shelley’s Defence of Poetry, with flashcards and practice questions. Open map Chapter 3 Pass English Medium English Literature · Literary Criticism & Theory Notes Arnold to the New Critics English literature handwritten notes on criticism from Matthew Arnold to the New Critics — the touchstone method, criticism of life, high seriousness, disinterestedness, sweetness and light and Hebraism against Hellenism, T. S. Eliot on tradition, impersonality, the objective correlative and the dissociation of sensibility, Russian Formalism with defamiliarisation, Propp and Bakhtin, and the New Critics with close reading, the heresy of paraphrase, seven types of ambiguity and the intentional and affective fallacies, plus Leavis, Frye and Forster, with flashcards and practice questions. Open map Chapter 4 Pass English Medium English Literature · Literary Criticism & Theory Notes Structuralism and After English literature handwritten notes on literary theory after 1945 — Saussure and structuralism with langue and parole, signifier and signified, Barthes and the death of the author, Derrida’s différance and deconstruction, Foucault on discourse, power and the panopticon, Marxist criticism with base and superstructure, Gramsci’s hegemony and Althusser’s interpellation, new historicism and cultural materialism, Freud, Jung and Lacan’s mirror stage, reader-response from Iser and Jauss to Fish, and postmodernism from Lyotard to Baudrillard, with flashcards and practice questions. Open map Chapter 5 Pass English Medium English Literature · Literary Criticism & Theory Notes Feminism & Postcolonialism English literature handwritten notes on feminist, gender, postcolonial, Dalit and cultural studies criticism — Wollstonecraft, Woolf, de Beauvoir, Millett, Showalter’s gynocriticism and three phases, Gilbert and Gubar’s madwoman in the attic, Cixous and écriture féminine, the four waves, Butler on performativity, queer theory and intersectionality, Fanon, Said’s Orientalism, Spivak on the subaltern, Bhabha on hybridity and mimicry, writing back and Wide Sargasso Sea, Subaltern Studies and Dalit literature, and the Birmingham school of cultural studies, with flashcards and practice questions. Open map Chapter 6 English Medium English Literature · Literary Criticism & Theory Notes Indian Aesthetics — Sanskrit Poetics English literature handwritten notes on Indian aesthetics and Sanskrit poetics — the six schools with their founders and texts, Bharata’s Natyashastra and the rasa-sutra, the nine rasas with their permanent emotions, the forty-nine bhavas, Abhinavagupta and sadharanikarana, Bhamaha and Dandin on alamkara and the ten gunas, Vamana on riti with the Vaidarbhi and Gaudi styles, Kuntaka on vakrokti, Kshemendra on auchitya, Anandavardhana on dhvani with abhidha, lakshana and vyanjana, and Mammata’s Kavyaprakasha, with flashcards and practice questions. Open map