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Classical Criticism — Plato to Longinus — GK Questions with Answers

23 questions
  1. In which work does Plato make his main attack on poetry?
    1. Ion
    2. Phaedrus
    3. The Republic, Book X
    4. Symposium
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    Answer: (C) The Republic, Book X

    The theory of mimesis and the banishment of poets are in Book X of The Republic.

  2. According to Plato, art is —
    1. the highest form of truth
    2. twice removed from reality
    3. a direct copy of the Idea
    4. identical with philosophy
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    Answer: (B) twice removed from reality

    The carpenter copies the Idea; the painter copies the carpenter. So art is twice removed.

  3. The image of the magnet and the iron rings, describing poetic inspiration, appears in —
    1. The Republic
    2. Ion
    3. Poetics
    4. Ars Poetica
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    Answer: (B) Ion

    It is Plato’s image in the dialogue Ion, showing inspiration passing from Muse to poet to reciter to audience.

  4. Which kind of poetry would Plato allow in his ideal state?
    1. Tragedy
    2. Comedy
    3. Hymns to the gods and praises of famous men
    4. Epic
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    Answer: (C) Hymns to the gods and praises of famous men

    He permits only what is useful to the city — hymns and praises.

  5. Aristotle calls which part the "soul" of tragedy?
    1. Character
    2. Plot
    3. Thought
    4. Diction
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    Answer: (B) Plot

    Plot (mythos) is first of the six parts and is called the soul of tragedy.

  6. Which of the six parts does Aristotle rank last?
    1. Song
    2. Diction
    3. Spectacle
    4. Thought
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    Answer: (C) Spectacle

    Spectacle (opsis) is least important and least connected with the poet’s own art.

  7. "Catharsis" in Aristotle means the purgation of —
    1. anger and joy
    2. pity and fear
    3. love and hate
    4. pride and envy
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    Answer: (B) pity and fear

    The definition of tragedy ends with the purgation of pity and fear.

  8. The hero’s error of judgement is called —
    1. peripeteia
    2. anagnorisis
    3. hamartia
    4. catastrophe
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    Answer: (C) hamartia

    Hamartia is the flaw or error through which the tragic hero falls.

  9. A change from ignorance to knowledge is —
    1. peripeteia
    2. anagnorisis
    3. hubris
    4. catharsis
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    Answer: (B) anagnorisis

    Anagnorisis is recognition; peripeteia is reversal.

  10. Which play does Aristotle hold up as the model tragedy?
    1. Antigone
    2. Medea
    3. Oedipus Rex
    4. Agamemnon
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    Answer: (C) Oedipus Rex

    Sophocles’ Oedipus Rex combines peripeteia and anagnorisis perfectly.

  1. Which of the three unities did Aristotle actually insist upon?
    1. Time
    2. Place
    3. Action
    4. All three
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    Answer: (C) Action

    Only action. Time is an observation, and place he never mentions.

  2. The unity of place was added by —
    1. Horace
    2. Castelvetro
    3. Boileau
    4. Dryden
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    Answer: (B) Castelvetro

    Castelvetro in 1570 hardened the unities into a rule and added place.

  3. Aristotle holds that poetry is more philosophical than history because —
    1. it is older
    2. it deals with the universal while history deals with the particular
    3. it is written in verse
    4. it pleases more people
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    Answer: (B) it deals with the universal while history deals with the particular

    History tells what happened; poetry tells what may happen — the universal.

  4. "Dulce et utile" is associated with —
    1. Plato
    2. Aristotle
    3. Horace
    4. Longinus
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    Answer: (C) Horace

    It is Horace’s doctrine that poetry should both please and instruct.

  5. "In medias res" means —
    1. in the middle of things
    2. in the manner of the ancients
    3. in good taste
    4. in five acts
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    Answer: (A) in the middle of things

    Horace advises beginning the story in the middle of the action, as Homer does.

  6. A "purple patch" in Horace is —
    1. a passage of great beauty
    2. a showy passage stitched on where it does not belong
    3. the climax of a play
    4. a royal subject
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    Answer: (B) a showy passage stitched on where it does not belong

    It is a fault — ornament out of place.

  7. The Ars Poetica is also known as —
    1. Epistle to the Pisos
    2. On the Sublime
    3. Peri Poietikes
    4. The Republic
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    Answer: (A) Epistle to the Pisos

    Horace addressed it to a father and his two sons, the Pisos.

  8. The authorship of On the Sublime is —
    1. certainly Longinus
    2. certainly Dionysius
    3. disputed between Longinus and Dionysius
    4. certainly Boileau
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    Answer: (C) disputed between Longinus and Dionysius

    The manuscript names both, so the author is often called Pseudo-Longinus.

  9. For Longinus, the effect of the sublime is —
    1. persuasion
    2. transport
    3. instruction
    4. imitation
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    Answer: (B) transport

    The sublime does not persuade; it carries the reader away.

  10. Which two of the five sources of the sublime are inborn?
    1. Figures and diction
    2. Diction and composition
    3. Grandeur of thought and strong emotion
    4. Composition and figures
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    Answer: (C) Grandeur of thought and strong emotion

    The first two are natural; figures, diction and composition are acquired by art.

  1. "Sublimity is the echo of a great soul" was written by —
    1. Aristotle
    2. Horace
    3. Longinus
    4. Plato
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    Answer: (C) Longinus

    It is the best-known sentence of Longinus.

  2. Longinus was translated into French in 1674 by —
    1. Castelvetro
    2. Boileau
    3. Corneille
    4. Racine
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    Answer: (B) Boileau

    Boileau’s translation brought On the Sublime into modern European criticism.

  3. Arrange in chronological order: (i) Ars Poetica (ii) Poetics (iii) Republic (iv) On the Sublime
    1. iii, ii, i, iv
    2. ii, iii, i, iv
    3. iii, i, ii, iv
    4. i, ii, iii, iv
    Show answer

    Answer: (A) iii, ii, i, iv

    Plato (c. 380 BC) → Aristotle (c. 335 BC) → Horace (c. 19 BC) → Longinus (1st cent. AD).

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